After a particularly long and stressful week, I decided there was exactly one thing I wanted to do last night: go see The Raven.
I’ve always had a special place in my heart for Edgar Allan Poe. The 19th century dark poet and author was one whose work I treasured in high school because I tended to favor the romantic lyricism of his work, as well as his gory imagination. I admit that my previously shared flair for the dramatic didn’t hurt my fascination with the man, either.
So, walking into the theatre, this deep adoration had me hoping James McTeigue’s direction of The Raven would delight me as much as Roland Emmerich’s did in Anonymous last year (great movie, if you haven’t checked it out yet). Though I think the cinematography of The Raven was lovely—the period thriller is set in 1849 Baltimore, a time of colorful and decadent wardrobes, quaint horse-drawn carriages, and bleakly dark cobblestone streets—and the concept was clever, the movie did not quite meet my expectations. The admirable John Cusack seemed believable as a goateed Poe at first, but I soon found myself put off by some of his attempts to speak in the style of his character. In all honesty, I think most of the actors came across that way—their acting seemed fine, but something about their dialogue didn’t click. In Anonymous, I never felt uncomfortable with or aware of the actors’ Shakespearean dialects; here, I felt everyone struggled, spending more of their focus on attempting to command the romantic language than acting their parts. Blood spewing violence aside, I felt the movie had a unique idea that could have been a little bit clearer, and perhaps needed more depth.
Fortunately, I have a knack for enjoying most movies, even those that leave a bad taste in my mouth. Despite my criticism of The Raven, I did find some prettiness embedded in it—namely, the frequent quoting of Poe’s stories as he connected the serial killer to his artistry. If for no other reason, I enjoyed the movie for bringing Poe’s language to the screen and into the ears of a new audience.
Now for some fun: mesh a flair for the dramatic with a love of Poe and a 14-year-old girl, and what do you get? Some really over-the-top poetry. When I arrived home last night, I remembered Poe’s “The Tell-Tale Heart” and “The Raven” once inspired an intensely mad work of my own. Since it’s always good to poke some fun at oneself, and for your amusement, I thought I’d share a piece that a 14-year-old me wrote for a high school English class—and which my teacher found so dramatic, he actually read it aloud to the class, complete with wild hand gestures…Oh boy. Hold on tight, folks, there’s some real teen angst in this one:
Madness
Alas!
What brought it on?
Was it the anguish inside or
Was it the torture on the outside?
Did the cold nights of loneliness
With the terrible insomnia
Of the pain for tomorrow
Bring it about?
Was it rejection, and the feelings
You threw harshly at me?
Maybe it was blackness
That burnt through my window,
Burning until nothing was left
But a shriveled, diminutive
Shell of what I had once been,
Forcing me into eternal insanity.
You laugh at the torture
I must withstand,
But oh!
How you bring it on, let it continue.
Stop this pain you cause me!
Don’t laugh! No!
Hold me! Love me!
Be as you once were.
Halt your squalid words,
Your painful ideas.
Don’t grin at me;
So insolent and deluding.
Deceiving and conniving,
Stop it! Please!
You’re calloused and shrewd.
What caused it?
And in your insinuating actions,
Your insubordinate ways,
Do you realize a
Part of me tears away?
I’m going mad.
You caused it.
You’ve torn my heart to shreds, but
You keep laughing
With your gimlet eyes
Shooting impetuous hatred
My way.
Why?
The pain is
Causing me great
Indignation.
So stop!
You’ve pinioned me against
A wall of thorns
And you won’t release me
Until…
You won’t tell me either!
Stop it, please!
My will to live is gone!
I don’t exist.
I’m just not here.
Stop!
It won’t be long.
You’ve killed my heart,
You’ve killed my soul.
You keep on killing
And you won’t let go.
Your passion to
Hurt me
Is driving me mad;
I’m declining
In more ways than one.
I’m nautious
With your treatment;
Steadily vomiting your putrid
Love out of my system.
But it won’t all leave.
No, it’s still there,
But covered with your madness.
Your madness
My madness,
You’ve given it to me
Like a plague, a disease.
I’m crying out,
Unplug your ears
I love you, please!
I’ve lost my will
I can’t hold on
Save me from this death
You’ve left me mad and insane.
And now…
I’m gone.
***
Wow. There’s probably a reason I switched to fantasy and contemporary fiction instead of poetry… 🙂
If you would like to read more about Edgar Allan Poe, please check out the Edgar Allan Poe Museum or PoeStories.com. You can also read more of Poe’s work at PoetryLovers.com.
Have a great weekend, everyone!
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